Aboriginal People in the Gibson Desert
Video clip synopsis – In 1966 a few Aboriginal families were living nomadic lives in the heart of Australia's Gibson Desert. Women would collect seeds from Woolybuck grass to make bread whilst their husbands searched for old spearheads and tools for hunting.
Year of production - 1966
Duration - 2min 2sec
Tags - Australian History, change and continuity, Indigenous Australia, indigenous cultures, sustainability, see all tags
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Students recognise the centrality of ‘country’ in shaping Australia’s Aboriginal and Torres Strait Islander peoples’ identities and investigate how British colonisation of Australia affected the lives of Aboriginal and Torres Strait Islander peoples.
Students analyse media portrayal of current issues to explore viewpoints, bias and stereotypes.
In the 1960s a film crew made an *ethnographic record of the dwindling *Indigenous population of the Gibson desert area. Indigenous people had lived in the area for thousands of years in a traditional way, before the destruction of that way of life in the late twentieth century.
- Indigenous – born or produced naturally in a land, native
- ethnographic – documentary style filmmaking that records information about a society or culture
1. Students use an atlas to locate the Gibson Desert. Using the video clip and other sources students list key elements of indigenous culture.
2. Using the video clip indicate evidence about indigenous culture that places the centrality of country in shaping Aboriginal and Torres Strait Islander identities.
3. Who made the film from which the video clip is drawn? When was it made? What do you think was the producer’s aim in making the film? Is there any evidence in the video clip of the producer expressing bias and promoting stereotypes? Try to look at the recent film ‘Ten Canoes’. Who made this film? Who was the intended audience? Was there an aim in making the film? Does it promote bias and stereotypes?
4. What are the central aspects of Australian indigenous identity? To what extent do they differ from non-indigenous Australian culture? How can the two be reconciled as being the identity of an Australian citizen?
Drama Feature
Philip Noyce (director), Rabbit-Proof Fence, Becker Entertainment, Sydney, 2002
Indigenous Poetry
Oodjeroo Noonuccal (formerly Kath Walker), Ballad of the Totems, Old Poetry, Australia, 1990


